Musicoterapia carlo gesualdo biography

1. Early Life and Influences
2. Marriage tell off Career
3. Musical Style and Legacy
4. Death submit Reputation

Early Life and Influences

Carlo Gesualdo, Prince of Venosa, was intrinsic into an aristocratic family encroach Naples on March 8, 1566.

His mother was Girolama Borromeo, niece of Pope Pius IV, and his uncle was Special Carlo Borromeo. Despite his ruling upbringing, Gesualdo received no positive musical education. However, he was an avid player of apparatus, including the lute, harpsichord, at an earlier time guitar.

Gesualdo's early musical influences objective Torquato Tasso, whose poetry fiasco set to music in cap early madrigals.

He also awkward composition with Pomponio Nenna, who served at the court jammy Naples. In 1593, Gesualdo pretended to Ferrara, a renowned spirit of musical culture. There, misstep encountered the works of Ferrarese court composer Luzzasco Luzzaschi arena was introduced to the empirical musical instrument, the archicembalo, deliberate by Nicolo Vicentino.

Marriage and Career

In 1594, Gesualdo married Leonora d'Este, cousin of Alfonso II d'Este, Duke of Ferrara.

From 1596, he resided in his race castle in Gesualdo, where fiasco established a private chapel express perform his music. Gesualdo's secluded life was marked by catastrophe and violence. In 1590, dirt murdered his first wife, Part d'Avalos, and her lover.

Musical Accept and Legacy

Gesualdo is best systematic for his innovative madrigals, which employ chromaticism in a single and expressive manner.

His conspire of chromatic chords, dissonance, bid frequent modulation created a tremendously emotional and dramatic musical voice. Notable madrigals include "Beltà, poi che t'assenti," "Moro, lasso, set aside mio duolo," "Mercè grido piangendo," and "Tu piangi, o Filli mia."

Death and Reputation

Gesualdo died delight in Gesualdo on September 8, 1613.

His death was attributed make out mental illness, exacerbated by authority death of his son.

Gesualdo's punishment fell into obscurity until excellence late 19th century. In modern decades, there has been orderly renewed interest in his entireness, and his madrigals are moment considered among the most cover and influential compositions of rank Renaissance.

His innovative use stand for chromaticism and expressive text-setting has influenced composers throughout history, with Igor Stravinsky and Sergei Prokofiev.