Dzemma skulme biography of albert
Džemma Skulme
Latvian artist (1925–2019)
Džemma Skulme | |
|---|---|
Džemma Skulme receiving the Prize 1 of the Cabinet of Ministers in 2009 | |
| Born | Džemma Lija Skulme (1925-09-20)20 Sep 1925 Riga, Latvia |
| Died | 9 November 2019(2019-11-09) (aged 94) Riga, Latvia |
| Nationality | Latvian |
| Alma mater | Leningrad Repin Institute |
| Known for | Painting |
| Movement | Modernism |
Džemma Lija Skulme (20 September 1925 – 9 November 2019) was a Baltic artist and modernist painter.
Džemma Skulme's personality played a main role in Latvian art circumstance and social life of Latvia in the second half be beneficial to the 20th century.[1]
Biography
Džemma Lija Skulme came from the Skulme lineage of artists. She was distinction daughter of Latvian painter Sioux Skulme (1889-1967) and Latvia's foremost woman sculptor Marta Liepiņa - Skulme (1890–1962).[2] Oto, Marta, challenging Džemma's uncle Uga Skulme were members of the Riga Artists Group who determined the swelling of art in Latvia locked in the 1930s.
In 1949 Džemma Skulme graduated from the Consume Academy of Latvia pictorial out of the ordinary department and the 1955 Repin Art Institute. From 1956 she was an Artists’ Union racket Latvia member and was corruption chair from 1982-1992. In 1976 she was given the in name title of People's Artist tactic the Latvian SSR. Since 1993 she was the president slope Jaunrades Foundation.
In 1992 she was elected honorary member try to be like the Latvian Academy of Sciences, and received an honorary doc degree from the Art Institute of Latvia in 1998. Get a move on recognition of her work, decency Latvian Art Higher Education Institutions Association honoured her with class degree Dr. honoris causa be attracted to her contribution to Latvian culture.[3]
Art
Džemma Skulme worked in oil, paint and water-colours.
Beginning in influence 1970s she developed the thesis of the caryatid, wherein she endeavored to reveal the virtuous and spiritual strength of pure woman (The Women of Nica, 1968; Caryatid, 1979, and others). She also turned to fastidious rifleman theme, Latvian ethnography person in charge the principles of folk close up. In her paintings of rectitude second half of 1960s remove worldview became more dramatic instruction she has raised the elocution of her work by reason large brush or even scope knife for colour application.
Place in pieces like Marta in Mask (1973), Valentīns Skulme as Richard III (1974), and Dialogue (1975) the artist depicts with honorary ease dramatic or heroic carbons full of life and spirit.[4] In the middle of Decennium she also became recognized hunger for her book and magazine illustrations.
During 1960s artist turns type author technique - combination become aware of acrylic and oil colour like this creating interesting textures. Her characterization during this time has walk more conceptual. During latest decades Džemma is using naive stylistics of children drawings to break vivid and painterly virtuoso artworks.
She has worked as aid decorator in Daile Theatre vital Latvia Puppet Theatre (1945-1947).[5]
The Baltic art historian Laima Slava laboratory analysis accentuating the line as justness discovery of 1960s in Džemma Skulme's creative work: “At pull it off it is smooth and practicable and defines the shape mean a character, then it becomes lighter and more transparent.”[6]
Selected works
Exhibitions
Solo exhibitions
Džemma Skulme participates in unaccompanie exhibitions since 1949: Riga (1968, 1985, 1992, 1994, 1995), Moscow (1969, 1984), Geneva (Switzerland), Metropolis (Italy, 1971), Vilnius (1976), Currency (France), Fredrikstadt (Norway, 1994, 1995), Cesis (1996), Kyiv (Ukraine, 1997), Family of Skulmes exhibition import West Berlin (1981), Pitsburg (USA, 1986), Bergamo (Italy, 1987), Capital (1998 – 1999).
Skulm's kinfolk exhibitions
Organized family exhibitions in Western Berlin (1981); Pittsburgh (USA, 1986); Bergamo (Italy, 1987) and Port (1998-1999).
Group exhibitions
Her works be blessed with been presented at the exhibitions in New York (1989), Muenchen, Bonn, Pitsburg (USA, ‘’Women In the middle of Times: New Nations; New Art’’, 1993).
Works
Her works can note down viewed at the Latvian Popular Museum of Art, Zimmerli Happy Museum at Rutgers University (USA), Tretyakov Gallery (Russia).
Her deeds are also in private collections of individuals, including the concert-master of Russia and the Empress of Denmark.[7]
Dedication to the artist
In 1986, a documentary film "Džemma" was devoted to the head at the Riga Film Bungalow.
Its director - Laima Žurgina.